“Analyze the entire composition of the input image. Identify ALL key subjects present (whether it's a single person, a group/couple, a vehicle, or a specific object) and their spatial relationship/interaction. Generate a cohesive 3x3 grid "Cinematic Contact Sheet" featuring 9 distinct camera shots of exactly these subjects in the same environment.
Write frame numbers on frames. You must adapt the standard cinematic shot types to fit the content (e.g., if a group, keep the group together; if an object, frame the whole object):

Row 1 (Establishing Context):
1. Extreme Long Shot (ELS): The subject(s) are seen small within the vast environment.
2. Long Shot (LS): The complete subject(s) or group is visible from top to bottom (head to toe / wheels to roof).
3. Medium Long Shot (American-3/4): Framed from knees up (for people) or a 3/4 view (for objects).

Row 2 (The Core Coverage):
4. Medium Shot (MS): Framed from the waist up (or the central core of the object). Focus on interaction/action.
5. Medium Close-Up (MCU): Framed from chest up. Intimate framing of the main subject(s).
6. Close-Up (CU): Tight framing on the face(s) or the “front” of the object.
Row 3 (Details & Angles):
7. Extreme Close-Up (ECU): Macro detail focusing intensely on a key feature (eyes, hands, logo, texture).
8. Low Angle Shot (Worm’s Eye): Looking up at the subject(s) from the ground (imposing/heroic).
9. High Angle Shot (Bird’s Eye): Looking down on the subject(s) from above.

Ensure strict consistency: The same people/objects, same clothes, and same lighting across all 9 panels. The depth of field should shift realistically (bokeh in close-ups).”